Illustrator | Photographer | Teacher Fine Art Affinity Designer Tool Tips | Transparency & Fill
Use cropping for practical reasons or aesthetic reasons equally. For instance, an unwanted object or person can be excluded which might otherwise detract from your desired image. Thank you. MEB Posted January 8, You can define its direction through the gradient’s handle on the canvas. Dale Posted January 9, Posted January 9, Ben Posted January 9, CartoonMike Like Loading SerifLabs team – Affinity Developer.
TatianKa Posted November 23, Posted November 23, R C-R Posted November 23, Join the conversation You can post now and register later. Reply to this topic Go to topic listing. As much as I often recommend not abusing strokes, in this type of illustration I don’t have much of a problem as I do when creating very realistic pieces. The outer strokes for the eye have a bit of texture applied, so it doesn’t look so boring and plasticky.
The eye formed by ellipses. For the little legs, simply use the Pen tool and trace them, adding a gradient fill with similar colours as the tail, so it reflects a bit the light coming from the left. I initially traced sharp nodes with the Pen tool and the I used the corner tool to make them softer, as you can see in the image below Sharp nodes with a circle around let us know the Corner tool was applied to them.
The legs with Corner tool applied to some of its nodes and a gradient fill applied. With the Pen tool trace a shape that will be the pole. Duplicate it, give it an angle and create a branch that will be on the side. When I say Pen tool, I mean it, unless you are good enough at using the Pencil tool and get your shapes done with as few nodes as possible as mentioned before.
This is one mistake often seen in beginners. It is important to keep nodes to a low number as this will make your shapes look better. If you have a problem making your shapes look as you need, I recommend one of the first things you should do is getting good command of this very important tool. Give the pole and branch a gradient similar to the one used for the bird tail.
As an option you can add a bit of noise to them. With the primitive shape “Tear” that you can find in the list of basic shapes on the left Tool bar, draw a few leafs and distribute them along the pole and branch. Notice how I also used a gradient here with a very light orange edge to it so the leafs look affected by the sunlight. Do the same for the top right branch.
Use the Pen tool for the branch and a couple of simple ellipses with a bit of a transparency to create the tree canopy. I added a transparency so they are not so conspicuous and also cause this way we can see through which makes the whole corner lighter in weight.
At this point the illustration is at this stage:. Now let’s take care of the hills. For this, create several ellipses with the Ellipse tool. Right click over them and select Convert to curves so you will now be able to manipulate the shapes pulling its nodes. Give them a gradient fill colour, that will be again showing how the sun light is hitting over these hills. Try to keep the gradient angles consistent for the different hills. I also add a bit of noise to these shapes.
To increase the sunlight effect, I have duplicated the shapes in some of the hill edges. Linear Gradient. Elliptical Gradient. Radial Gradient. Conical Gradient. The Fill Tool. The Contextual Menu. Type of Fill Bitmap. Selecting Colors. Let’s Put These Two to Work! Want to Learn More? Take Me to Class. Until next time, Happy Creating! Holding Shift while moving the handles will lock the gradient onto the vertical or horizontal axis and will allow you to rotate it in 45 degree increments.
At this point you can simply click on the path to add a new node that will represent a color of your choosing:. As previously mentioned when going over the tool options menu, clicking on the preview button that displays the colors of your gradient will open the Gradient Options menu:. All of these properties can be altered using the on-canvas user interface, as we did in the tutorial.
This menu simply provides another option for editing your gradients and can be useful if you need the mid point to be a specified numerical distance, or need a numerical opacity value for one of the color.
Creating a gradient fill in Affinity Designer, compared to other vector applications, is a refreshing change of pace. Unlike Adobe Illustrator, Designer makes it easy to edit and transform your gradient directly on the canvas. Illustrator allows you to do so as well, but the functionality is clunky and unintuitive. This is an area where its competitors — namely Affinity Designer and Inkscape — outshine them. Want to learn more about how Affinity Designer works?
Affinity designer gradient fill angle free
Hello and welcome to another installment of Affinity Designer Tool Affinity designer gradient fill angle free While they work affinity designer gradient fill angle free, the resulting outcomes affinity designer gradient fill angle free different, however they can easily be used in conjunction with one another to achieve some really cool gradient effects.
The Transparency and Fill tools are located on the default tool bar on both the iPad and desktop versions of the app. On the iPad, the Fill Tool is represented by a gradient square with a path running through it, and the Transparency tool looks like a по этой ссылке. Both tools involve gradients to achieve some, or all, of their affinity designer gradient fill angle free, and can be used on either text or shapes.
However, the Transparency Tool creates a transparent gradient with no color shifting, while the Fill Tool fills an object with either a solid, texture or color gradient. The Transparency Tool sets a transparent gradient on a path between two or more stops with gamma sliders that look like tiny lines in between the stops, allowing further tuning.
Unlike a traditional gradient, these stops will always be black and white, with white being transparent areas and black being opaque. Your transparency will fall on a path between two stops and form a straight transparency. The line can be rotated, reversed and the gradient itself can be increased or decreased by dragging the stops and the gamma slider in the middle, but it will always be a straight line. The Elliptical Gradient gives you three stops and two paths to work with and creates a circular transparency, perfect for making something like a bubble.
You will either have two black opaque and affinity designer gradient fill angle free white transparent stop, or the opposite, if you reverse the direction of the transparency. The Radial Gradient works similarly to the Linear type, however the difference is the gradient itself is curved. Your path will always be on a single, straight line, and can be rotated, reversed, dragged in and out, etc, however it will form a very distinct, curved gradient.
This is the most complex of the four types of transparency. It also provide two gamma sliders on the circular path to intensify or reduce the amount of transparency.
This type of transparency creates a cone shaped gradient where the transparency provides the depth of the cone.
In essence, the transparency created by the white stop provides a highlight that, in contrast to the opaque areas, provides a conical effect. Rotate does exactly what it sounds like, адрес rotates your handles. You can also manually rotate them, however this rotates them at precisely 45 degree angles.
Reverse will reverse the direction of your transparency and, in the case of every type except for Conical, will reverse the stops on your shape. Aspect is set to on by default and locks the handles on the path so that if you move one in or out, the other moves in tandem with it.
If you turn aspect off, however, you can move one or the other and get entirely different shapes. The Fill Tool fills shapes affinity designer gradient fill angle free text with a solid, texture or a gradient, which is what it does best. Gradients can be added to vector, pixel and adjustment layers, as well as layer masks with the Fill Tool.
Just as the Transparency Tool has handles and gamma sliders to make adjustments, so does the Fill tool and the amount you get to work with are the same. The first two icons in the menu are Context. You can add a fill to the stroke only, the fill only, or both and these icons will allow you to choose which one you adjust. There is one addition with the Fill Tool and that is Bitmap.
This allows you to fill an object with a bitmap image such as texture, or a pattern, and can be adjusted using the two handles that appear when you add a bitmap fill. When you select Bitmap, it will immediately take you to your folders so you can find affinity designer gradient fill angle free place an image. Just a note, you can only pull an image нажмите чтобы перейти your files both in the Cloud and on your machine however you cannot add a bitmap fill using the Stock Studio or an image in a separate layer.
With a Bitmap fill, you will be given two handles and three stopping points with no gamma sliders. If you drag the handles out, the bitmap image will become larger and, drag inwards, it will become smaller.
When using the non-Bitmap types, you can select the colors in your fills by tapping on affinity designer gradient fill angle free stops at the ends of the handles and choosing your color in the Color Studio.
You can also adjust the noise and opacity levels using the sliders under the Color Wheel. Come join me in the YouTube tutorial below where I will walk you перейти на страницу how to create a glowing lightbulb using a combination of both the Transparency and Fill Tools, as well as non-destructive edits and effects!
Come join me in class here. If you have a particular tool you would like to know more about, let me know in the comments below! This site uses Akismet to reduce spam. Learn how your comment data is processed. Skip to content. The Transparency Tool. Types of Transparency. Linear Gradient. Elliptical Gradient. Radial Gradient. Conical Gradient. The Fill Tool. The Contextual Menu. Type of Fill Bitmap. Selecting Colors. Let’s Put These Two to Work!